Weekending

Sweet Annie/Artemisia annua. February 2013, Virginia.

Sweet Annie/Artemisia annua. February 2013, Virginia.

So grateful for this practice of noticing and remembering some really delicious stuff, here in the thick of the move. For National Margarita Day on Friday, which brought joy to my packing, and for our whole grain waffles the next morning, which brought joy to my belly. For a child who called out gleefully from the backseat, “Turn that up, Mama!!” when this came on the radio, and then “Dance, Mama!!” when I was too still at the wheel. For a fantastic coffee date where we really did fit in a fair amount of adult conversation, even with our little ones at our sides. For the moment when I showed myself a little compassion and tossed the dry lumps of whole wheat tortilla dough into the pig scraps bucket and pulled out the tub of white flour. (I still want to talk about my seemingly Sisyphean efforts to find the perfect whole grain tortilla recipe – but not today.) For last night’s riff on our favorite new one dish meal: baked bratwurst with cabbage, carrots, and sweet potatoes, inspired by Dinner: A Love Story. For Connie Britton. For sleeping in. For this berried breakfast cobbler (two suggestions: top it with yogurt thinned with juice from the orange you’ve zested, per the recipe, and use salted butter – it does something amazing to the crust), and for the wee boy who did all the measuring and mixing himself. For the blue skies and blinding sun, and for the coffee I drank while the boy dug in the dirt and (ahem) threw dirt at the chickens. For a long midday snuggle with an under-the-weather bub who needed his mama.

And for this:

“Piano”

Touched by your goodness, I am like
that grand piano we found one night on Willoughby
that someone had smashed and somehow
heaved through an open window.

And you might think by this I mean I’m broken
or abandoned, or unloved. Truth is, I don’t
know exactly what I am, any more
than the wreckage in the alley knows
it’s a piano, filling with trash and yellow leaves.

Maybe I’m all that’s left of what I was.
But touching me, I know, you are the good
breeze blowing across its rusted strings.

What would you call that feeling when the wood,
even with its cracked harp, starts to sing?

Patrick Phillips
Boy

(joining Amanda at The Habit of Being)

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